Tag Archives: journal

Lakeland Rocks and Landscape by the Cumberland Geological Society

A library for geologists…

Lakeland Rocks and Landscape. A Field Guide

by The Cumberland Geological Society

“To know how the landscape has been formed geologically adds another dimension to our appreciation of the fells”

from the foreword by Chris Bonnington

This little volume is intended for the ‘interested amateur’ with some background knowledge of the earth sciences and it succeeds admirably. Not only does it provide a geological background to the Lake District, but also suggests eighteen ‘excursions’ that take in a wide variety of the geological features exhibited in this region.

I try and make my way back to the Lakes every couple of years, this book always accompanies me. I won’t even try and pretend I understand the complicated geology of the Lakeland rocks, I don’t. But who cannot fail to be impressed upon learning that the rocks of the Borrowdale Volcanic Group, extending from Wasdale and the Duddon valley in the west through Scafell to Helvellyn, High Street and Haweswater in the east, are from 6000m thickness of rocks violently erupted in 10 million years during the mid-Ordovician period (450 Ma). No, I thought not.

 

Book in featured image:

Lakeland Rocks and Landscape, A Field Guide, The Cumberland Geological Society, Ellenbank Press, 1998 revised and updated reprinted edition. ISBN 1-873551-03-7

Naturalists' handbooks

A library for naturalists…

Naturalists’ Handbooks

The Naturalists’ Handbooks series are specifically aimed at anyone interested in natural history, that lack specialised training in the subject. I used to have a few more in the series- Common ground beetles (no. 8), Animals of the surface film (no. 12) and Animals under logs and stones (no. 22) amongst them, sadly, I lent them and they never returned.

The Handbooks were first published by Cambridge University Press, one of my volumes dates from that period, then Richmond Publishing took over. I note that they are now published by Pelagic Publishing. It is great to see they are still being produced as they all have good, fairly easy to use, keys. The ones that focus on a particular environment are just right for whiling away a couple of hours in the field. Quite a few of the volumes that I do not own focus on often over-looked invertebrate life.

Sample pages from Naturalists' Handbook No. 4- Grasshoppers

Sample pages from Naturalists’ Handbook No. 2- Grasshoppers

Books shown in featured image:

Grasshoppers, Valerie K. Brown, with plates by Judith G.Smith. Naturalist’s Handbooks 2. Richmond Publishing, 1990, revised edition. ISBN 0-85546-278-7

Insects and thistles, Margaret Redfern, with plates by Anthony J.Hopkins. Naturalists’ Handbooks 4. Cambridge University Press, 1983. ISBN 0-521-29933-0

Bumblebees, Oliver E. Prys-Jones and Sarah A. Corbet, with plates by Anthony J.Hopkins. Naturalists’ Handbooks 6. Richmond Publishing, 1991, revised edition. ISBN 0-85546-258-2

Dragonflies, Peter L. Miller, with plates by R.R. Askew. Naturalists’ Handbooks 7. Richmond Publishing, 1995, second edition, revised. ISBN 0-85546-300-7

Ants, Gary J. Skinner and Geoffrey W. Allen, with plates by Geoffrey W. Allen. Naturalists’ Handbooks 24. Richmond Publishing, 1996. ISBN 0-85546-305-8

Wild Flowers of Britain by Roger Phillips

A library for botanists…

Wild Flowers of Britain

by Roger Phillips

“Seven years ago when my son Sam was five I felt that growing up in London he was missing the dirt and damp of the countryside. So, we started a Sunday routine of going to the country, rain or shine, summer or winter, and cooking a picnic lunch over an open fire… I have watched the land change and the plants grow and die through the seasons. I began to wonder and question the identity of plants that I found in the marshy wilderness around the canal… I frequently failed to make a positive identification… I have tried to make the book I needed seven years ago” Roger Phillips

Roger Phillips illustrates his flowers in chronological flowering order, includes both English and botanical names, also a little background is included. See what he is included for this small group

Roger Phillips illustrates his flowers in chronological flowering order, includes both English and botanical names, also a little background detail is included- “this plant is very poisonous… children should be warned against making blow pipes or whistles from the smooth hollow stem”

Photographic guides quite often don’t work. They fail to pick up on crucial identification features or over emphasise others. I don’t think photographic bird guides are particularly effective for that reason. However Roger Phillips is not only extremely skilled with a camera, he also obviously knows his way round picking up and illustrating many salient features of flora.

For true accurate wildflower identification, a good key is required, I have a couple of volumes that include these and will cover them over the coming weeks, but sometimes all you want is to leaf through a book and loudly proclaim “that’s it“! In which case, this is the book to have.

There are also a small number of pocket sized guides produced by Roger Phillips. These focus on a particular habitat and follow his usual photographic format

There are also a small number of pocket sized guides produced by Roger Phillips. These focus on a particular habitat and follow his usual photographic format

I have a few of Roger Phillips’s large photographic guides- Mushrooms, Trees and Grasses, Ferns & Lichens. All are good though none are suitable for work in the field. Their large size and soft covers (other than my ‘Trees’ volume) preclude that, but still, they sit on a top shelf in my ‘natural history’ corner and get pulled out on a regular basis throughout the year.

Book in featured image:

Wild Flowers of Britain, Roger Phillips, Pan Books Ltd, 1977. ISBN 0-330-25183-X

Birds of Europe with North Africa and the Middle East by Lars Jonsson

A library for ornithologists…

 

Birds of Europe

with North Africa and the Middle East

by Lars Jonsson

Birds of Europe, or ‘Jonsson’ as we used to simply call it, was simply the best one volume field identification guide to birds when it was first published in 1992 and still holds its head up today. Lars Jonsson has remained my favourite bird artist ever since. He has an amazing ability to capture the jizz of a bird, something the mainly wooden portrayals in many a competitors guide fail to equal.

 

In his foreword to Birds of Europe, Lars Jonsson records that when he was working on illustrations for a birds of sea and coast volume, there were no pictures of juvenile waders in the available field guides. His subsequent volumes went on to address that shortfall

In his foreword to Birds of Europe, Lars Jonsson records that when he was working on illustrations for a Birds of Sea and Coast volume, there were no pictures of juvenile waders in the available field guides. His subsequent volumes went on to address that shortfall

It is one of the few volumes that has actually left my bookshelves to accompany me on my travels. To offer some additional protection beyond its hardback cover, I covered my volume with a protective (sic) sheet of stick on clear film and this book has spent hundreds of days in the field with me, becoming suitably battered as a result. Sadly, I now view its 985g as far too hefty to be carried on a hike today.

During 1976-80 five volumes appeared in Sweden under the title Fåglar i Naturen (Birds in the Wild), these books were later translated into English and dealt with European birds, with a few key species from Turkey and North Africa. Each book dealt with a different habitat and geographical region. In the 1980s it was decided to put the contents together in to a single volume. Most illustrative plates were redone for Birds of Europe, along with new maps and text

During 1976-80 five volumes appeared in Sweden under the title Fåglar i Naturen (Birds in the Wild), these books were later translated into English (my English volumes are shown above) and dealt with European birds, with a few key species from Turkey and North Africa. Each book dealt with a different habitat and geographical region. In the 1980s it was decided to put the contents together in to a single volume. Most illustrative plates were redone for Birds of Europe, along with new maps and text

Book in featured image:

Birds of Europe: With North Africa and the Middle East, Lars Jonsson. Translated by David Christie. Christopher Helm, 1992. ISBN 0-7136-8096-2

Older books in my natural history library

A Library…

Three Points of the Compass seldom carries any book, beyond a journal, when hiking. Instead I keep a small library at home; to be dipped into on a whim, or referred to when trying to nail down that ‘something’ seen, or in a vain attempt to educate my failing memory in the hope that I can identify with what I see on my travels. Any walk is vastly improved and enjoyed all the more when I can put a name to some of that around me, or at least understand the relationship, the ecology of the environment through which I am hiking.

Collins have periodically renewed and refreshed their most popular natural history books. I have certainly never purchased every one, but every few years am tempted to the shelves of the nearest Waterstones to buy the latest version of a favourite

Collins have periodically renewed and refreshed their most popular natural history books. I have certainly never purchased every one, but every few years am tempted to the shelves of the nearest Waterstones to buy the latest version of a favourite

I have always purchased books. I believe a fairly well stocked, carefully chosen, library of books on the natural sciences and the people who have helped define it, should be the aim of any inquisitive mind and especially anyone that hikes on a regular basis. Those shown at the top of this page are from ‘secondary’ shelves in my house. They are a small sample of those volumes that have been relegated off of my first division shelves that sit nearest my desk.

As a young lad I bought a number of the thin volumes in the Jarrold Nature Series. I never had a lot of money and would frequently buy one or two with the extra ‘holiday spending’ I would be given on family holidays. Far better spent on these little booklets than ice creams and fairground rides I felt. The Birds of the Mountains and Moorlands shown above (volume 4 in the Jarrold Bird Series) would have been bought when we visited some such area, I forget where, when I believed these would help me in my identification of the local wildlife.

I have little regard from where my books are obtained. I have purchased new, remaindered, second-hand (and third, fourth et al) volumes aplenty. I have scoured second hand shops, libraries selling off volumes, perused dealers typewritten catalogues and, increasingly, I turn to eBay and Amazon. There are virtual spaces on my shelves too, some books I have lent, never to be returned and only infrequently replaced.

The Caterpillars of the British Butterflies volume shown above was a companion to The Butterflies of the British Isles in the Wayside and Woodland Series published by Warne. It is a second hand copy, withdrawn from the Westminster Public Libraries and sold off by them in one of their periodic clear outs and would have already been very old when I got it. This reflects a particular period of my childhood when most weekends I went out from dawn til dusk (or until hunger struck) to scour the undergrowth of woods near my home, or go fishing in the little stream or local canal, watching dragonflies, Kingfishers, Water Boatmen or catching White Clawed Crayfish in a time before the American Signal Cray invaded our waters. Caterpillars, and a clump of whatever herb I found them on, were kept at home to see what wonder might emerge from the chrysalis.

A page from the AA/Readers Digest book- The Birds of Britain

A page from the AA/Readers Digest book- Book of British Birds

Collins were the publisher of many of the Field Guides I have purchased over the years. Some volumes reflect another era. I am almost ashamed to admit that, in common with most of my pals, we would go out ‘bird-nesting’- collecting birds eggs. I had stopped by my mid-teens and it never advanced further than the few eggs from songbirds. I am so thankful that oölogy lost its interest for me. I became far more interested in learning what came out of an egg rather than the ‘prize’ itself.

Instead, I learnt to stalk animals through the undergrowth and stream edges and went through a period of carting along packets of Plaster of Paris, purchased from the local chemists. I would make paper rings and, with the heavy contents of my rucksack, make impressions of tracks of deer, fox, badger and the great prize, water vole.

I have shown a couple of older Collins volumes in the featured image above, my shelves also groan under the weight of many a later edition, but as to getting rid of older volumes, the horror.

The Readers Digest Book of British Birds was read on many an evening when I was a boy. There were probably few bookshelves down our street that didn’t carry a copy of this particular volume with its superb painting of a glaring Tawny Owl on the front cover. I read how a roosting owl could be located by following up noisy parties of smaller birds such as Jays, Blackbirds and Chaffinches who would mob the predator. On probably hundreds of occasions I have dived into the neighbouring thick woodland, having heard the ruckus from within, in the hope of finding a roosting tawny owl, never once with any success. I still do on occasion…

The small volumes that formed the Observer's series have been much loved by generations

The small volumes that formed the Observer’s series have been much loved by generations, my own included, and available for pocket money too. Despite the huge number of titles available I never had more than a dozen or so of these little books

Other books on natural history on my shelves are a little more eclectic. I went through a phase of no more than a year or two where I determined to learn everything I could about slugs, snails and the shells on the beach, well, who wouldn’t!

Over the next few weeks I shall blog daily on just some of the books, or sets of volumes, that sit proudly on my shelves. Some are seldom pulled out, others can be left in situ for a year or two and then sit on my desk for a month or so to be reacquainted with. Others, are works of pure reference to be consulted when bafflement descends. One or two may be deemed a classic, whatever that is and I am sure that many reading this may shake their head in dismay over my woeful choice. These will not, in any way, be book reviews, simply a brief glance at some of my favourite volumes that frequently have and often continue to make my walking experience all the greater. There are many that have not made the cut, I will not be showing my lovely old, battered (and slightly smelly) set of The Handbook of British Birds by Witherby, Jourdain, Ticehurst and Tucker for instance. And just a slight tease, my definition of ‘Giants‘ will, no doubt, raise hackles in some readers.

 

Books shown in featured image:

The Caterpillars of the British Butterflies (including the Eggs, Chrysalids and Food-plants), R.South. Frederick Warne & Co. Ltd. 1944

The Pocket Guide to Wild Flowers, David McClintock and R.S.R.Fitter. Collins, 1956

A Field Guide to the Mammals of Britain and Europe, F.H.Van Den Brink. Collins, 1967

Collins Pocket Guide to Nests and Eggs, R.S.R.Fitter and R.A.Richardson. Collins, Reprinted revised edition, 1969 (First published 1954)

Book of British Birds, Readers Digest/AA, Second Edition 1974 (first published 1969)

Identification of the British Mollusca, Gordon E. Beedham. Hulton Group Keys. Pitman Press, 1972

Birds of the Mountains and Moorlands, text by Reg Jones. Jarrold, 1974

The Norfolk Coast Path

The Peddars Way and Norfolk Coast Path- Part Two

 

The Norfolk Coast Path

Sandy isolation as I walk towards The Firs at Holme Dunes National Nature Reserve

Sandy isolation as I walk towards The Firs at Holme Dunes National Nature Reserve

Paths were invariably well maintained, it was often possible to find myself having strayed offf the official path on to one of the many other alternatives, but they all went in the same direction

Paths were invariably well maintained, I often found that I had strayed off the official path on to one of the many other alternatives, but they all went in the same direction

Starting on 1st April 2017, I walked the Peddars Way and Norfolk Coast Path. On day four, I finished off the Peddars Way and began the Norfolk Coast Path, the flavour of the walk changed immediately and dramatically. On my walk northward from the Suffolk/Norfolk border, I had encountered very few people on the trail, as soon as I hit the coast, this changed. Not that anyone was doing, or appeared to be doing, the national trail. It was just that I was now in the midst of holidaymakers, fishermen (and fisherwomen, or is it just fisherpeople?) and the residents and workers in the small and larger towns that were lined up, like pearls on a necklace, along the coast.

There a number of map and guide options for the Peddars Way and Norfolk Coast Path, I took the relevant 1:50 000 O.S. maps as I already had them. I also purchased the Cicerone guide and the official trail guide. Both are excellent but I only took the Bruce Robinson guide with me

There a number of map and guide options for the Peddars Way and Norfolk Coast Path. Knowing I would be going ‘off trail’ on occasion, I took the relevant 1:50 000 O.S. maps (sans covers) as I already had them. I also purchased the Cicerone guide and the official trail guide. Both are excellent but I only took the Bruce Robinson guide with me

My next few days comprised 20 miles from my last campsite on the Peddars Way, the lovely Bircham Windmill, to Deepdale, then 14,5 miles to Highsand Creek,  followed by 16 miles to my only stay at a hostel on the walk, the YHA hostel at Sherringham, leaving me a simple six miles to finish my trail at Cromer pier and then to the railway station. In all, I did 98.5 miles. This was certainly taken over the ton by my little wanderings and evening sorties from my tent. But, with map miles, it sits at 98.5 miles.

Because I knew that the nature watching was going to be so good on this trail, especially the Norfolk Coast Path, I wanted to include some optics in my kit list. Eschewing my heavy binoculars, I took a 109g 8x20 monocular. I was pleased I did as it was often used

Because I knew that the nature watching was going to be so good on this trail, especially the Norfolk Coast Path, I wanted to include some optics in my kit list. Eschewing my heavy binoculars, I took a 109g 8×20 monocular. I was pleased I did as it was often used

Someone had been playing silly buggers at Brancaster and had sawn off the finger posts. My own fault, I sauntered straight on and needlessly walked a mile and a half out to the point and back

Someone had been playing silly buggers at Brancaster and had sawn off the finger posts. My own fault, I never noticed and sauntered straight on, needlessly walking a mile and a half out to the point and back

I used to visit this part of the coast, almost as a pilgrimage, in the 1980s/90s when I was a keen birdwatcher. It is amongst the very finest of places to view birds- residents, migrants, raptors across the reedbeds, fantastic. But for me, it was the visits each late autumn/early  winter to see the thousands of geese, wintering away from the harsher conditions of Siberia that will live with me forever. Even hoofing along with a pack on my back and stopping infrequently, the Norfolk Coast Path was still a nature-watching marvel.

The early fine weather had encouraged many car borne visitors but few could be bothered to walk more than a mile or two from any carpark, as a result I had much of the coastal walking to myself  for hours on end.

Brent Geese, Shelduck and waders were constant companions

Brent Geese, Shelduck and waders were frequent companions. Seals were also often spotted

Smoke House in Cley

Smokehouse in Cley

Lobster and Crab pots are set all the way along this part of the coast

Lobster and Crab pots are set all the way along this part of the coast

Much of this part of the coast continues to change from the industry of old- fishing and smoking of fish, to the new, the tourist. However the flint built buildings are, mostly, well maintained, the natives friendly and opportunity to buy provisions vastly improved on anything I had experienced over the previous few days.

Fish and Chips with Mushy Peas enjoyed at Wells-next-the-Sea

Fish and Chips with Mushy Peas enjoyed at Wells-next-the-Sea

 

 

While I carried food for most meals over the Peddars Way part of this walk, I had known beforehand that opportunities to eat locally were going to be much improved on the second half of my walk.

Whereas I carried eight meals for the inland section, I only had two for the coastal section. All other were purchased locally. Though perhaps surprisingly, I only ate fish and chips the one time, When I reached busy Wells-next-the-Sea.

 

 

Superb breakfast at the Deepdale Cafe

Breakfast at the Deepdale Cafe included award winning Arthur Howell sausages and Fruit Pig Black Pudding

My two campsites on the coast were both perfectly adequate. Deepdale was a small field and I camped next to car campers, but I had no problem with that. There are plenty of opportunities to re-provision here but I only partook of a fine breakfast in the Deepdale Cafe.

 

£10 got me a huge field to myself and hot showers in the modern toilet block

£10 got me a field to myself at High Sand campsite and hot showers in the modern toilet block

A pint, good quality burger and writing up the days notes in the Red Lion, Stiffkey

A pint, good quality burger and writing up the day’s notes in the Red Lion, Stiffkey

Camping the following night at the High Sand camp site at Stiffkey saw my tent sitting alone in a huge field. The trail passed only a hundred metres away and I was content to treat myself to good food and ale at the Red Lion Inn in the local village.

 

 

This part of the coast was once the 'gateway to England' but silting up of creeks and changes in economics has reduced its importance. Blakeney is fairly typical of many towns along the coast, struggling to retain an identity. Small fishing boats take visitors out on seal watching trips when they are now out checking their lobster and crab pots

This part of the coast was once the ‘gateway to England’ but silting up of creeks and changes in economics has reduced its importance. Blakeney is fairly typical of many towns along the coast, struggling to retain an identity. Small fishing boats take visitors out on seal watching trips when their owners are not out checking their lobster and crab pots

The distinctive windmill at Cley next the Sea can be seen for miles across the marshes. The path goes right past it and I regretted, slightly, not pausing to sketch it

The distinctive windmill at Cley next the Sea can be seen for miles across the marshes. The path goes right past it and I regretted, slightly, not pausing to sketch it. The reeds here did offer up Bearded Tit though

There were a couple of miles of board walks in all

There were a couple of miles of board walks in all

 

Coastal walking was almost always on good paths, though I should think that many would be pretty claggy after rain. Reedbeds, sea defence walls above marshland, scrubby sand dunes, pine woodlands, saltmarsh, sand and shingle shoreline- my walking was through a number of special and specialised habitats, it was never boring for it changed so much.

Every few miles another coastal town would be encountered, I passed through these quite quickly as there was little to hold me.

 

Remains of an Allan Williams gun turret. 199 of these were made during World War II

Remains of an Allan Williams gun turret. 199 of these were made during World War II

This part of the coast was thought to be at risk of attack and invasion during World War II. Surviving coastal defence installations survive to this day

This part of the coast was thought to be at risk of attack and invasion during World War II. Coastal defence installations survive to this day

 

The coastline stretch from Cley next the Sea to Weybourne Hope is four miles of lonely splendour. The few dog walkers at the beginning were soon left behind. Sand gave way to shingle and I found myself racing the incoming tide, only having to move up on to the punishing stone for the final quarter of a mile

The coastline stretch from Cley next the Sea to Weybourne Hope is four miles of lonely splendour. The few dog walkers at the beginning were soon left behind. Sand gave way to shingle and I found myself racing the incoming tide, only having to move up on to the punishing stone for the final quarter of a mile

For such a busy stretch of coast, I often found myself alone. Few people will walk more  than two miles from their car and it is usually just the odd birdwatcher or sea angler that would be seen any further afield, again, there seemed to be few people walking purposely, and those I saw with small backpacks were either day walkers or slackpackers.

 

Beyond Weybourne Hope the path begins to climb as cliffs take over. This penultimate day saw me completing my biggest climb of the whole trail- the highest point was still only 346 feet (105 metres) above sea level. Norfolk really is a pretty flat county

Beyond Weybourne Hope the path slowly begins to climb as cliffs take over. This penultimate day saw me completing my biggest climb of the whole trail- though the highest point was still only 346 feet (105 metres) above sea level. Norfolk really is a pretty flat county

Beach huts below Sheringham Cliffs

Beach huts below Sheringham Cliffs

My final night was in Sheringham YHA. No private rooms were available so I shared a dorm with two other guys, we battled each other in the snoring stakes that night but I am pretty sure I won.

I like to put my trade toward the YHA where I can as I think they are still doing a grand job, mostly, in a difficult modern circumstance.  However I reckon I made a mistake eating an evening meal there. There was no ‘proper’ option on the menu at all, everything was snacks, so I settled for an ‘OK’ pizza. Breakfast was little better, the only egg option was scrambled, and I hesitate to guess how long it was since they had been scrambled! I queried at the counter, the server looked at me with bafflement- “I’m French” was her reply. OK, so no eggs forthcoming then.

My £12 overnight stay at Sheringham Youth Hostel was an adequate stop for my last night on the trail

My £12 overnight stay at Sheringham Youth Hostel was an adequate stop for my last night on the trail

Signposting and marking of trail was excellent on the Norfolk Coast Path

Signposting and marking of trail was excellent on the Norfolk Coast Path. You might think how difficult can it be to simply keep the sea on your left, but the trail often diverts inland where access rights have not been obtained, or where erosion has caused the path to disappear into the sea

The Peddars Way and Norfolk Coast Path ends at Cromer Pier. Much of this popular resort town is Edwardian in age and flavour

The National Trail ends at Cromer Pier. Much of this popular resort town is Edwardian in age and flavour. The Norflok Coast Path is now part of the ambitious plans for an English Coast Path, still in the making

Reminders of a seafaring community can be found everywhere

Reminders of a seafaring community can be found everywhere

I was so pleased to have completed both halves of the Peddars Way and Norfolk Coast Path. While the walk through the interior of the county had been interesting, with a few points of interest, the coastal element was much more to my liking. Busy seaside towns nestled up against lonely saltmarsh and dune systems stretched for miles across a wide landscape.

The call of the nesting Curlew and Lapwing that I had gone to sleep to in the agricultural heartland was also encountered on the coast, to be joined with the burbling of hundreds of Brent geese and the frantic shriek of the ‘Sentinel of the Marshes’, the Redshank.

Dunlin, Sandpipers, Oystercatcher and Turnstone shuffled along the edge of the surf, only flying ahead when I got too close. It really was lovely coastal walking and I resented it when lack of Rights of Way took me on pointless and annoying diversions inland. I doubt that I shall return to this part of the country for quite some time but hope that the fragile eco-systems can withstand what appears to be growing numbers of visitors.

WORDS IN THE SAND, HERE TODAY, GONE TOMORROW

 

Fuertenventura Feb-March 2017

A lightweight art kit- Fuerteventura

Three Points of the Compass descending from Morro Jorjado via the Cuesta de la Villa, Fuerteventura , March 2017

Three Points of the Compass descending from Morro Jorjado via the Cuesta de la Villa, Fuerteventura , March 2017

I have just returned from a fortnight’s family holiday on Fuerteventura. This is the second largest and the longest of the Canary Islands. I stayed in a large hotel in the centre of the east coast. It was to be a holiday of many parts. The primary aim was to rest from the rigours of work, to see some early sun, to get a bit of walking in and explore the most interesting sites, history and geology that the island had to offer, to discover flora and fauna never seen before and to, hopefully, get in a little bit of sketching. To this end, a modicum of space was found in the suitcase for a compact art kit that could also go into the day sack on days out.

I continue to not only work on my, woefully inadequate, artistic skills, but also to refine a lightweight art kit that can accompany me on longer walks, in particular my Three Points of the Compass walk in around a years time. I wrote last year of a lightweight art kit that accompanied me to Sicily in 2016. This was another opportunity to further drill down the equipment I will carry.

Three Points of the Compass urban sketching in Puerto del Rosario, Fuerteventura. Time was always limited and I attempted to work pretty quickly

Three Points of the Compass urban sketching in Puerto del Rosario. Time was always limited and I attempted to work pretty quickly, at least before my spouse became totally bored and wandered off…

I will be blogging later in a little more detail on the specific materials I took with me and others that never made the cut, but for this trip, all I wanted was a simple little self contained pouch in which to keep most art materials together. Something that could be pulled out almost anywhere and provide me with a small, discreet and self-contained choice of medium.

I took a small pouch containing the majority of materials, two small sketchbooks, a cotton wrist band and all important bottle of water

I took a small pouch containing the majority of materials, two small sketchbooks, a cotton wrist band protected in a baggie and all important bottle of water, the latter was for my hydration as I made use of a water brush for painting

Whereas I would normally wish to sketch directly into a hike journal, this wasn’t that sort of break, so I took two of my favourite little sketch books. One is a 3 1/2″ x 5 1/2″ (88mm x 139mm) that has somehow become my default sketchbook for churches, the other a square format 5 1/2″ x 5 1/2″ (140mm x 140mm) – though page sizes come in a little smaller, used for anything else. Both of these hand books are from Global Art Materials.

For such a small kit, I had a fair amount of choice and flexibility in materials

For such a small kit, I had a fair amount of choice and flexibility in materials

My palette was a home made affair that, again, I will be blogging on in the future. This contained a minimal selection of single pigment watercolours- Quinacridone Gold- (PO49), Hansa Yellow medium- (PY97), New Gamboge- (PY153), Cupric Green Light- (PG36), Cerulean Blue- (PB35), Ultramarine (Green shade)- (PB29), Monte Amiata Natural Sienna- (PBr7), Permanent Rose- (PV19).

This is an exciting selection only recently developed by myself that is going to prove a little challenging for me to use, being much reduced from what I am more used to, so this trip was an excellent opportunity to try it out. My intention was to increase the quantities of each pigment in my small palette so that it was more useful on longer trips, but still offer good mixing capability. As it transpired, I did so little painting that I have not, by any means, fully explored its capability nor identified any faults. Though I have already noted the difficulties presented by such limited mixing space. You can see the seven small wells I have built into the lid.

The small selection of coloured leads fro Koh-I-Noor that I took allowed me to occasionally swtich medium. This poor and scrappy drawing was completed in less than ten minutes whilst standing on the pavement waiting for a bus to hove into view. With a few minutes to spare, the windmill opposite me in Tiscamanita was a superb subject

The small selection of coloured leads from Koh-I-Noor that I took with me allowed me to occasionally switch medium. This poor and scrappy drawing was completed in less than ten minutes whilst standing on the pavement waiting for a bus to hove into view. With just a few minutes to spare, the windmill opposite me in Tiscamanita was a superb subject that could not be ignored

To accompany this, I had a medium Pentel Aquash Water Brush. My lovely little Lamy Safari Fountain Pen was loaded with black Noodlers Bullet Proof waterprof ink, Pentel black ink brush pen (not used at all), Rotring Tikki Graphic 0.1 technical pen with pigmented waterproof black ink and a white Uniball gel pen. I simply cannot eschew my pencils entirely, so took one of the gorgeous Koh-I-Noor Toison D’Or 5900 clutch holders loaded with 2mm 2B graphite from Faber Castell. Despite there being a sweet little lead pointer in the cap of the clutch holder, I slipped in a 2mm lead pointer made by Faber Castell. To be honest, I should really have taken a pointer that would retain graphite slivers when sharpening, such as my Uni pocket sharpener from Mitsubishi, but I forgot it. As there was room in the pouch, I took a small, thin lead holder made by Acme for their spare graphite leads, but instead of their leads, I loaded it with the waxy 2mm coloured leads made by Koh-I-Noor (brown, blue, green, red and yellow). Also carried was a shaped eraser from Derwent and a small bulldog clip. All of this was carried in a zippered Lihit Lab Compact Pen Case.

Three Points of the Compass hiking in Fuertenventura February-March 2017

Three Points of the Compass ascending to Degollada de la Sargenta, Fuertenventura. March 2017